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- Originaltitel : Men in Black II
- Filmtitel in Ihrem Land : Men in Black II
- Jahr der Film : 2002
- Genres des Films : Action, Abenteuer, Komödie, Science Fiction,
- Status-Film : Released
- Ver�ffentlichungsdatum : 2002-07-03
- Die Unternehmen der Film : Columbia Pictures, Amblin Entertainment, Columbia Pictures Corporation, Parkes+MacDonald Image Nation,
- L�nder Film : United States of America,
- Sprache des Films : English,
- Durasi Of film : 88 Min
- Stimme durchschnittlich : 6
- Youtube ID des Films : p4NJHqoojOU
- �bersetzung von Film : BG,CA,CS,DA,DE,EL,EN,ES,FI,FR,FR,HE,HR,HU,IT,JA,KO,LT,NL,NO,PL,PT,PT,RO,RU,SK,SL,SR,SV,TH,TR,UK,ZH,ZH,
- Schauspieler des Films :Patrick Warburton (Agent Tee), Tony Shalhoub (Jack Jeebs), Agent Kay), the dog), Joel McKinnon Miller (agent), Michael Jackson (Agent M), Howard Spiegel (New York guy), Lenny Venito (New York guy), Peter Spellos (Captain Larry Bridgewater, Rick Baker (MIB Passport Control Agent), Alpheus Merchant (MIB guard), Jack Kehler (Ben), Michael Rivkin (the man with Harvey, Rosario Dawson (Laura Vasquez), Lara Flynn Boyle (Serleena), Michael Bailey Smith (Creepy), Colombe Jacobsen-Derstine (Hailey), Will Smith (Agent Jay), David Cross (Newton), Rip Torn (Zed), Derek Mears (Mosh Tendrils), Johnny Knoxville (Scrad/Charlie), Doug Jones (Joey), Jay Johnston (the younger Pizza Parlor MIB agent), The Motorman), Tommy Lee Jones (Kevin Brown
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Men in Black II ist einer film hergestellt von Columbia Pictures, Amblin Entertainment, Columbia Pictures Corporation, Parkes+MacDonald Image Nation, das kommt mit a Beschreibung des Films "Agent J muss die Erde wieder vor einigem Abschaum bewahren, denn in Gestalt des verführerischen Dessous-Models Serleena will ein Alien den Planeten unterjochen. Dabei benötigt J die Hilfe seines alten Partners Agent K. Der wurde aber bei seiner “Entlassung” geblitzdingst, und so muß J seine Erinnerung erst mal etwas auffrischen bevor es auf die Jagd gehen kann.". Der Film wurde mit hervorragenden grafischen Qualit�t hergestellt, beste Klangqualität und Beste mit Schauspielern.
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Boom Operator : Randall L. Johnson, Matchmove Supervisor : Samuel Nunez, Orchestrator : Steve Bartek, Second Unit Cinematographer : Artie Malesci, Visual Effects Editor : Miller Drake, Sequence Supervisor : Will Anielewicz, Rigging Grip : Todd Grunberger, Security : Joseph Keideth, Construction Coordinator : Greg John Callas, Dolly Grip : Michael S. Epley, Transportation Co-Captain : Patrick Bentz, Location Manager : Robbie Goldstein, Director : Barry Sonnenfeld, Gaffer : Andy Day, First Assistant Director : Artist W. Robinson, Executive Producer : Steven Spielberg, Steadicam Operator : Gregory W. Smith, Foley : Marko A. Costanzo, Painter : Francesco Ferrara, Art Direction : Thomas P. Wilkins, Scenic Artist : Patricia Walker, Visual Effects Art Director : David Nakabayashi, Digital Producer : Tamara Nobles, Assistant Art Director : François Audouy, Stunts : Callie Croughwell, Apprentice Sound Editor : Rick Chefalas, Costume Supervisor : Mitchell Ray Kenney, Projection : George A. Parker, Propmaker : Derek du Bellier, Key Grip : Michael C. Price, Loader : Steven Cueva, Co-Producer : Graham Place, Grip : Eric Budlong, Musician : Tom Boyd, CGI Supervisor : Daniel Eaton, Visual Effects Supervisor : Jim Berney, Prosthetic Makeup Artist : Deborah Rutherford, Location Scout : David Chambers, Set Designer : John Chichester, Animation Supervisor : Tom Bertino, Assistant Sound Editor : Angela M. Catanzaro, Negative Cutter : Mo Henry, Novel : Lowell Cunningham, Unit Production Manager : Graham Place, Utility Stunts : Jade Quon, Associate Producer : Marc Haimes, Supervising Sound Editor : Skip Lievsay, Software Engineer : Dan Lake, Casting : Ronna Kress, Key Makeup Artist : Deborah La Mia Denaver, Still Photographer : Phillip V. Caruso, Camera Operator : Daniel C. Gold, Post Production Supervisor : Paul A. Levin, Digital Effects Supervisor : Christopher Sjoholm, Production Coordinator : Matt DiFranco, Best Boy Electric : Michael Alexonis, Assistant Production Coordinator : Jules Carideo, Makeup Artist : Chad Waters, Sound Re-Recording Mixer : Kevin O'Connell, Costume Design : Mary E. Vogt, Script Coordinator : Susan Eileen Stewart, Conceptual Design : Christian Alzmann, Rigging Gaffer : Frank Dorowsky, Second Assistant Director : Deanna Stadler, Music Editor : Bill Abbott, Sound Recordist : Jesse Ehredt, Color Timer : Anthony Harris, Set Dresser : Ross La Terra, Casting Assistant : Connie Czernek, Dolby Consultant : Andy Potvin, Conductor : Pete Anthony, Editorial Production Assistant : Marta Alicia Masferrer, Key Costumer : John M. 'Jack' Wright, Systems Administrators & Support : Joe Stevano, Production Illustrator : James Carson, Sculptor : Fred Arbegast, Title Designer : Pablo Ferro, Post Production Assistant : Ann Gray, Video Assist Operator : Peter A. Mian, Set Medic : Rich Fellegara, Editor : Richard Pearson, Art Direction : Alec Hammond, Lighting Artist : Robert Bardy, Visual Effects Coordinator : Kiné Arnold, Foley Editor : Mary Ellen Porto, Production Supervisor : Bill Sturgeon, Assistant Property Master : Scott Getzinger, Editor : Steven Weisberg, Art Department Assistant : Pamela Bertini, Associate Producer : Stephanie Kemp, Screenplay : Robert Gordon, Digital Compositors : Dan Cayer, First Assistant Camera : Mark Gutterud, ADR Editor : Denise Horta, Art Department Coordinator : Richard Bloom, Driver : Gabe Turiello, Set Production Assistant : Michael D. Gillis, Special Effects : Jim Beinke, Standby Painter : Henry Schaub, Unit Publicist : Rob Harris, Hairstylist : Pierce Austin, Machinist : Sebastien Caillabet, Wardrobe Supervisor : Arlynn Abseck, Storyboard : Philip Keller, Hair Department Head : Janice Alexander, Pilot : Al Cerullo, Screenplay : Barry Fanaro, Producer : Laurie MacDonald, Sound Editor : Bruce Pross, Stunt Coordinator : Charles Croughwell, Set Costumer : Sonya M. Andonov, Production Sound Mixer : Peter F. Kurland, Supervising Dialogue Editor : Bobby Mackston, Lead Animator : Miguel A. Fuertes, Director of Photography : Greg Gardiner, Craft Service : John 'Magic' Wright, Music Supervisor : Pilar McCurry, Additional Photography : Zac Jackson, Chief Lighting Technician : Jeff Murrell, Lighting Technician : Gene Engels, 3D Supervisor : Alia Agha, Sequence Leads : Chris Armstrong, Special Effects Coordinator : Thomas L. Fisher, Script Supervisor : Mary Bailey, Supervising ADR Editor : Juno J. Ellis, Art Direction : Sean Haworth, Dialogue Editor : Norm MacLeod, Leadman : Ernest M. Sanchez, Sound Effects Editor : Craig Berkey, Researcher : Thomas Dilligan, Creature Design : Jeff Jingle, Lighting Supervisor : Alberto Noti, Administration : Scott Brines, Original Music Composer : Danny Elfman, Set Decoration : Cheryl Carasik, Associate Editor : JC Bond, Producer : Walter F. Parkes, Carpenter : Daniel Geary, Property Master : Peter Gelfman, Production Office Coordinator : Shell Hecht, Greensman : Frank McEldowney, I/O Supervisor : Brandon Craig, Electrician : Bryan Booth, Production Accountant : Salvatore Carino, Visual Effects Producer : Alessandra Cave, Production Design : Bo Welch, Wigmaker : Diana Choi
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Schlagw�rter: saving the world, secret identity, sun glasses, undercover, space marine, illegal immigration, deportation, new identity, flying saucer, light, firearm, alien, fictional government agency,
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